The ‘Remote Control’ EP ignites a fiery fusion of techno mastery between Simina Grigoriu and Hollen, uniting their distinct sonic identities into a bold, collaborative vision. In this interview, the duo unpacks the inspiration behind their partnership, the studio dynamics that shaped the project, and how they carved a fresh yet timeless energy into the genre’s evolving landscape.
This intro succinctly introduces the artists and EP, highlights their collaboration, and sets the stage for the interview’s focus on creativity and impact.
The ‘Remote Control’ EP is a powerful collaboration. How did the idea for this project come about, and what was the creative process like working together?
Simina Grigoriu – I’ve had the pleasure of knowing Hollen for quite some time now, and I’ve been a huge admirer of his work, both as a producer and as an engineer. His creativity, technical skill, and unique approach to music have always stood out to me. When the opportunity came up for us to collaborate, it felt like the perfect moment — as if everything had aligned and it was simply “time” to make it happen. The brilliance behind this project is all thanks to Hollen’s vision, and I feel genuinely fortunate to work alongside someone of his caliber. It’s been an incredibly rewarding experience, and I’m excited for everyone to finally hear what we’ve created together.
The EP features three new tracks. Can you tell us about the inspiration behind some of them and how they reflect your individual styles?
Simina Grigoriu – I’m not sure there’s a profound story behind it — it was really quite simple. We set out to create a complete package: three dance floor bombs designed to take listeners on a journey. Each track shares some common elements, but at their core, they’re each completely unique — just like Hollen and me. There’s a connection between them, yet each one stands firmly on its own, offering a different energy and experience. That dynamic made the project even more exciting for us to put together, and we hope it comes through when you hear it.
Techno is a genre that constantly evolves. How do you see the ‘Remote Control’ EP contributing to the current techno landscape, and what do you hope listeners take away from it?
Simina Grigoriu – With the sheer influx of producers entering the scene these days, it can sometimes be a real challenge to find a distinct sound — something that truly stands out from the crowd. With Remote Control, we set out to do just that: capture a unique vibe and package it into a true musical escape. I believe we’ve stayed authentic to our individual styles while also creating something fresh and compelling for the audience to move to. It’s peak-time techno at its finest — energetic, dynamic, and built to ignite the dance floor. I’m thrilled to see all three tracks resonating so well with crowds; the response so far has been nothing short of magical.
Simina, you’ve described your previous release, ‘Resident Frequency,’ as a tribute to Berlin’s rave culture. How does the ‘Remote Control’ EP build on or differ from that theme? Hollen, how does your Italian techno background influence your sound on this EP?
Simina Grigoriu – While there’s a similar groove and some shared elements, the intention behind these tracks is quite different. Resident Frequency leans more toward the melodic and deeper side of things, offering a more introspective experience. With these new tracks, however, we aimed for something more direct — something that hits harder and delivers a different kind of energy to the audience. It’s still very much my sound — there’s always that subtle, recognizable thread running through everything I do — but the overall vibe here is distinct. It’s a new shade of the same identity, crafted to connect with listeners in a different way.
What was the most challenging part of creating this EP, and how did you overcome it?
Simina Grigoriu – Distance. but we work remotely and have become accustomed to it.
The EP is released on Simina’s label, Kuukou Records. How important is it for you to have creative control over your music, and how does being part of a label shape your artistic vision?
Simina Grigoriu – Yes and no. While my label does serve as a platform for my own music, I don’t see the two as being directly tied together, because my musical journey extends far beyond just my own imprint — I belong to many other labels as well. When I founded Kuukou eight years ago, it was initially to create a space for my own releases, but over time, it has evolved into something much bigger than just me. Today, it’s a true community, and without our incredible Kuukou family, the label wouldn’t be where it is now. So yes, having creative control was a driving factor, but just as important was the desire to build something greater than myself — a platform where I could support and showcase the artists I believe in. In that sense, it’s deeply connected to artistic vision: not only mine, but a shared vision we are all shaping together.
Questions for Simina
Being a Germany-based artist, heavily rooted in Berlin, how do you envision the scene and techno movement? Do you feel that Berlin’s techno culture has influenced your sound on this EP?
Simina Grigoriu – Not really. We’re not heavily influenced by current trends or what’s happening in the scene. If we were, we’d probably be making Hard Techno like so many others right now — and that’s definitely not a direction I’m interested in pursuing. Of course, places like Berlin, and the broader world around us, naturally have their own influence on an artist, but ultimately, it all comes down to the same simple goal: sitting in the studio and creating music that feels truly gratifying. It’s about staying authentic, making tracks that resonate personally, rather than chasing what’s popular at the moment.
Running a label like Kuukou Records must be both rewarding and challenging. How does it affect and shape your musical taste and your DJ sets? What’s important to you when you’re choosing new music to sign?
Simina Grigoriu – It’s mostly about the feeling. While the music obviously has to align with the overall sound of our label, we don’t aim to release tracks that all sound the same. Every artist brings their own unique flavor to the table, and that diversity is something we truly embrace.
I produce music for Kuukou, but I also work with many other labels, and I don’t adjust my style based on where the track is going to be released. I pretty much go with the flow and see where the track lands. That said, there are certain records that feel like they can only be released on Kuukou. Ninja Princess and Iron Angel are two of my favorites that fall into that category. The reason for this is the intention behind the tracks and what they personally represent to me — both were created as an homage to my daughters. But beyond that, the focus is really on being creative in the studio and having fun with it. Overthinking or overworking a track can often lead to its destruction, so it’s crucial to know when a piece is truly finished. Once I feel that moment, I decide where I’d like to release it. That’s usually the process, simple and organic.
In your long-standing career, is there something you still haven’t done that you want to do? Are there any dream collaborations or projects on the horizon?
Simina Grigoriu – Yeah! Tomorrowland is on my ultimate dream festival list and I would love to work with singers like Lauryn Hill, Foxy Brown or Lil Kim. Musically, it might never make sense but dreams are dreams.
Do you think being a classically trained musician is important for a producer? How has your classical background influenced your approach to techno production?
Simina Grigoriu – What I learned in my early years as a musician certainly helped me, but it didn’t necessarily shape my career. I was young when I started, and my formal training came to an abrupt halt when I moved on to high school. Despite that, the knowledge I gained stayed with me in some way, and I was able to draw on it when I began learning how to produce.
In my opinion, you don’t need piano skills to play a synth, nor do you need violin training to create melodies. While classical training can be valuable, I don’t think it’s a prerequisite for becoming a producer. There are so many other aspects of music production to focus on, and musical scales often don’t play as significant a role as people might think. The real key is learning by trial and error — and trusting your ears. They’ll always tell you whether something sounds harmonious or not. At the end of the day, it’s about what works, not whether you can read sheet music or play a particular instrument.
Questions for Hollen:
As an Italian techno artist, how do you feel your background has shaped your sound, especially on this collaboration with Simina? Do you see any parallels between the Italian and Berlin techno scenes?
Hollen – My background is deeply rooted in the various nuances of electronic music, which has evolved constantly over time. As for my collaboration with Simina, I’ve noticed over the years that we share similar tastes when it comes to the techno style. We’ve reached a point where our ideas align perfectly
What is the most important skill or trait you believe a DJ should have? How do you incorporate that into your own performances?
Hollen – Having good technique is certainly the foundation, but what I believe truly matters is having excellent musical taste, supported by a rich culture accumulated over the years. I strive to integrate all of this into my sets, always ensuring an accurate selection of music to play. I prefer to choose the tracks on the spot, without preparing pre-defined playlists to follow
What are your goals when you’re making music? Do you have a specific mindset or approach when you step into the studio?
Hollen – The ultimate goal is to create a professional product that satisfies me. I don’t follow specific patterns during the production phase; instead, I follow the sensations of the moment.
Techno is often associated with industrial and futuristic sounds. How do you balance innovation with staying true to the roots of the genre, especially in tracks like ‘Wrong Or Right’?
Hollen – I’m a lover of old-school groove, so for techno tracks, I always aim to bring that rhythm that evokes those classic nuances, while still embracing new sounds and technologies
In case you haven’t got your copy of this release, grab it here!
