Filth on Acid label head Reinier Zonneveld is back on his own game-changing label with four powerful tracks that have no genre boundaries and take you on a typically powerful and futuristic techno trip.
Opener After The Bus is a banging cut with rock solid kicks and militant snare rolls all finished off with dark and paranoid vocals. It’s a dark, gothic cut that makes way for Black Sun, which is built on more all consuming drums, with walls of super sized synths and bright, strobe lit chords lighting up the whole affair. Pump It then finds him strip things back to a dry, marching beat while industrial textures and a lone lead synth bring the terror. Last of all, Diablo closes out with a high speed and urgent techno track that will rattle the walls of any warehouse and keep dancers locked in suspense.
These are devastating tunes once again from the master of techno.
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